Light Reign: James Turrell Skyspace
Chloë Bass: Soft Services
Christine Sun Kim: Ghost(ed) Notes
Charlene Liu: Scallion
Rodney McMillian: Neighbors
Eric-Paul Riege: ojo|-|ólǫ́
2026 University of Washington MFA + MDes Thesis Exhibition
“Every Picture Somewhat of an Experiment”: Helen Frankenthaler Prints
Day-to-Day: Rhythm, Routine, Resistance
Shark by Richard Learoyd
Joiri Minaya: To Hell With Hibiscus
Deana Lawson: Monsen Photography Lecture
Figure/Ground: New Criteria
Cultured Commodities: Photographs from the Henry Collection
Kameelah Janan Rasheed: we leak, we exceed
Spirit House
2025 University of Washington MFA + MDes Thesis Exhibition
Shifting Ground: Recent Acquisitions in the Henry Collection
Carmen Winant: Passing On
Josh Faught: Sanctuary
Body Language: Recent Acquisitions in the Henry Collection
Overexposures: Photographs from the Henry Collection
Tala Madani: Be flat
A.K. Burns: What is Perverse is Liquid
Lucy Kim: Mutant Optics
Martine Gutierrez: Monsen Photography Lecture
![<p><em>Christine Sun Kim: Ghost(ed) Notes</em> [Installation view, Henry Art Gallery, University of Washington, Seattle. 2024]. Photo: Jueqian Fang.</p>](https://henryart.org/assets/img/_largeImage/Henry-20241105-014.jpg)
![<p>Charlene Liu (U.S., b. 1975). <em>Scallion.</em> 2025. Inkjet print on vinyl. [Installation view, Henry Art Gallery, University of Washington, Seattle. 2025]. Photo: Jueqian Fang. </p>](https://henryart.org/assets/img/_largeImage/Henry-20250729-131.jpg)
![<p><i>Public Opening: Fall Exhibitions </i>[Event documentation, Henry Art Gallery, University of Washington, Seattle. 2025]. Photo: Jo Cosme.</p>](https://henryart.org/assets/img/_largeImage/JoCosme_October-3rd_Fall-exhibition-opening-010WEB.jpg)
![<p><em>Eric-Paul Riege: <em>ojo|-|ól</em></em><em>ǫ</em><em>́</em> [Installation view, Henry Art Gallery, University of Washington, Seattle. 2026]. Photo: Jueqian Fang.</p>](https://henryart.org/assets/img/_largeImage/Henry-20250317-146-CROPPED.jpg)
![<p>Tony Feher (U.S., 1956-2016). <em>Untitled (No Clouds)</em>, 2000. Assemblage (clear plastic bottles and white caps, water, wire, and nylon cord). Henry Art Gallery, gift from the collection of Rebecca and Alexander Stewart, 2001.2.1-41. [Installation view, <em>Vortexhibition Polyphonica</em>, 2009-2011, Henry Art Gallery, University of Washington, Seattle] </p>](https://henryart.org/assets/img/_largeImage/FA_2001.2.1to41_VORTEX_install.png)
![<p>Richard Serra<strong>, </strong>(U.S., 1938 – 2024). <em>Double Rift V</em>. 2014. Paintstik and silica on coated paper. Gift of Robert V. Gunderson Jr. and Anne D. Gunderson. [Installation view of <em>Figure/Ground: New Criteria, </em>Henry Art Gallery, University of Washington, Seattle. 2025]. Photo: Jonathan Vanderweit.</p>](https://henryart.org/assets/img/_largeImage/20260120_Figure-Ground_0046.jpg)
![<p><em>Cultured Commodities: Photographs from the Henry Collection </em>[Installation view, Henry Art Gallery, University of Washington, Seattle. 2025]. Photo: Jueqian Fang. </p>](https://henryart.org/assets/img/_largeImage/Henry-20251023-4.jpg)
![<p>Kameelah Janan Rasheed (U.S., b. 1985). <em>spillage collage</em>
[detail]. 2025. Photo Tex, paper, and map pins on wall. Courtesy of the artist and NOME Gallery, Berlin. [Installation view, <em>Kameelah Janan Rasheed: we leak, we exceed,</em> Henry Art Gallery, University of Washington, Seattle. 2025]. Photo: Jonathan Vanderweit.</p>](https://henryart.org/assets/img/_largeImage/20250826_KJR-Henry_0086.jpg)
![<p><em>First Look:</em> <em>Spirit House & Charlene Liu</em> [Event documentation, Henry Art Gallery, University of Washington, Seattle. 2025]. Photo: Robert Wade.</p>](https://henryart.org/assets/img/_largeImage/henry-spirit-house-tour-14aug25-117cropped2.jpg)
![<p>Kyler Pahang. <em>Every Two Weeks</em>. 2024-2025. Oil on canvas over wood panel. Courtesy of the artist. [Installation view, <em>2025 University of Washington MFA + MDes Thesis Exhibition,</em> Henry Art Gallery, University of Washington, Seattle. 2025]. Photo: Jacob Chung </p>](https://henryart.org/assets/img/_largeImage/UWSoA-2025MFAMDesThesisExhibition-2.jpg)
![<p><em>Shifting Ground: Recent Acquisitions in the Henry Collection</em>
[Installation view, Henry Art Gallery, University of Washington, Seattle. 2025]. Photo: Jueqian Fang.</p>](https://henryart.org/assets/img/_largeImage/Henry-20250422-251.jpg)
![<p>Carmen Winant (U.S., b. 1983). <em>Passing On </em>[detail]. 2022. Ink on newsprint. Courtesy of the artist and PATRON Gallery, Chicago. Photo: Luke Stettner.</p>](https://henryart.org/assets/img/_largeImage/IMG_6503-WEB.jpeg)
![<p>Josh Faught (U.S., b. 1979). <em>Sanctuary</em> [detail]. 2017. Hand-woven, hand-dyed cotton, hemp, and gold lame with found and archival materials. Henry Art Gallery, Gift of William and Ruth True, originally commissioned in 2016 for Saint Mark's Cathedral, Seattle, WA, 2020.5. Image courtesy of the artist. </p>](https://henryart.org/assets/img/_largeImage/jft_121416_006.jpg)
![<p>Dawn Cerny (U.S., b. 1979). <em>Tabletop Sculpture</em>. 2023. Glass wood, small drawing, pencils, felt, clips, hooks, storage box, and ephemera. Published by RITE Editions. Henry Art Gallery, gift of Robin Wright, RITE Editions, 2023.22.1-.27. [Installation view of <em>Body Language: Recent Acquisitions in the Henry Collection, </em>Henry Art Gallery, University of Washington, Seattle. 2024]. Photo: Jueqian Fang.</p>](https://henryart.org/assets/img/_largeImage/Henry-20241105-118.jpg)
![<p><em>Overexposures: Photographs from the Henry Collection</em> [Installation view, Henry Art Gallery, University of Washington, Seattle. 2024]. Photo: Jueqian Fang.</p>](https://henryart.org/assets/img/_largeImage/Henry-20241105-233.jpg)
![<p>Tala Madani (Tehran, Iran b. 1981). <em>Film Fall.</em> 2024. Oil on linen. Courtesy of the artist. [Installation view of <em>Tala Madani: Be Flat</em>, Henry Art Gallery, University of Washington, Seattle. 2024] Photo: Jueqian Fang.</p>](https://henryart.org/assets/img/_largeImage/Henry-20241022-354.jpg)
![<p>A.K. Burns (U.S., b. 1975). <em>What is Perverse is Liquid (NS 0000)</em>. 2023. 3-channel HD video installation (color, 5.1 sound), 35:54 mins. Two projection screens, free-standing projection wall, plexiglass, sandbags, sand, rubber pool liner, and pennies. Courtesy of the artist. [Installation view, <em>A.K. Burns: What is Perverse is Liquid,</em> Henry Art Gallery, University of Washington, Seattle. 2024]. Photo: Jonathan Vanderweit</p>](https://henryart.org/assets/img/_largeImage/20240910_AK-Burns-at-the-Henry_0310.jpg)
![<p><em>Lucy Kim:</em> <em>Mutant Optics</em> [Installation view, Henry Art Gallery, University of Washington, Seattle. 2024]. Photo: Jueqian Fang.</p>](https://henryart.org/assets/img/_largeImage/Henry-20240723-009.jpg)
![<p><em>Martine Gutierrez: Monsen Photography Lecture</em> [Installation view, Henry Art Gallery, University of Washington, Seattle. 2024]. Photo: Jonathan Vanderweit.</p>](https://henryart.org/assets/img/_largeImage/20240418_Martine-Gutierrez-at-the-Henry_0005.jpg)