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    Rodney McMillian: Neighbors

     
    Lower Level Gallery
    October 04, 2025 — May 24, 2026
    Rodney McMillian (b. 1969, Columbia, South Carolina; based in Los Angeles, California) works with the social and political histories of the United States and how they shape our daily lives. Using existing texts and domestic materials—such as house paint on thrifted fabrics and bedsheets, or “post-consumer objects” as he calls them—he traces both the visible and invisible forces that shape civic life, particularly for the lives of African Americans.
    Inspired by the lush surroundings of the Henry, McMillian brings together sculpture, video, and painting that present an outdoor landscape overgrown with the lingering effects of physical, political, and social violence.
    Across his varied media, McMillian navigates within the tension between abstraction and figuration, presence and absence. In a group of freestanding abstract sculptures, evocative ghostly forms—part taxidermy, part modernist object—suggest both prized trophy and deathly trace. Recent paintings from his ongoing landscape series act as portals: views onto skies, stars, and foliage that float between this world and the next. Together, they offer escape, but also confrontation—fantastical elsewheres.
    McMillian’s videos address politics more directly as figures and landscapes rooted in the here and now. Preacher Man II (2017–2021) features a lay clergyman seated at a Southern crossroads, delivering his sermon adapted from a speech by civil rights activist Kwame Ture (formerly Stokely Carmichael), written during the height of the Black Power movement. In Untitled (neighbors) (2017), filmed in Austin, Texas, performers in flowing white garments stalk classical grounds and architecture with gestures that are formal, incantatory, and unexpectedly ribald—calling forth a haunting mixture of foreboding ritual and inappropriate response.
    For McMillian, as for so many in the U.S., the past is never past. It is a fertilizer that feeds and cultivates the country we must tend to every day.

    Artist Bio

    Rodney McMillian works with the intersections of power, race, class, and culture in paintings, sculptures, installations, video, and performance. He uses political texts and found, often domestic, materials such as house paint, cast-off furniture, fabric, and thrifted bedsheets, among others, to create works that trace these intersections in our everyday landscape. McMillian has exhibited widely, including the 2008 and 2022 Whitney Biennials; the 2021 Prospect.5 New Orleans: Yesterday You Said Tomorrow; and the 2015 Sharjah Biennial. He received Contemporary Austin’s initial Suzanne Deal Booth Art Prize in 2016, and the resulting solo exhibition Against a Civic Death was on view in 2018. Solo exhibitions have been staged at the Blaffer Museum, Houston, Texas; the Underground Museum, Los Angeles; the San Francisco Museum of Modern Art; the Institute of Contemporary Art, Philadelphia; the Studio Museum in Harlem; MoMA PS.1, New York; and the Aspen Art Museum, Colorado. His work has also been included in group exhibitions at The National Portrait Gallery, London; MASS MoCA, North Adams, MA; the CCA Wattis Institute, San Francisco, CA; the Astrup Fearnley Museet, Oslo, Norway; the Institute of Contemporary Art, Boston; the Contemporary Art Museum Houston; the Museum of Contemporary Art, Los Angeles; the Museum of Contemporary Art, Chicago; the UCLA Hammer Museum, Los Angeles; the Renaissance Society at the University of Chicago; and the Los Angeles County Museum of Art, among many others. His work is included in the collections of the Hammer Museum, Los Angeles; Museum of Contemporary Art, Los Angeles; the Museum of Modern Art, New York; San Francisco Museum of Modern Art, San Francisco; Stadtisches Museum Abteiberg, Monchengladbach, Germany; and The Studio Museum in Harlem, New York. McMillian received an MFA from the California Institute of the Arts in 2002; he is currently a professor in sculpture at the University of California, Los Angeles.
    CREDITS

    Rodney McMillian: Neighbors is organized by Anthony Elms, guest curator, and was conceived by Shamim M. Momin, former Director of Curatorial Affairs, Henry Art Gallery.

    Exhibitions at the Henry are made possible through the generous support of our annual sponsors, 4Culture and ArtsFund.

    credit

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    <p><em>Spirit House</em>
[Installation view, Henry Art Gallery, University of Washington, Seattle. 2025]. Photo: Jueqian Fang. </p>
    Programs

    Public Opening: Fall Exhibitions

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    <p>Courtesy of the Artist, Petzel, New York, and Vielmetter, Lost Angeles</p>
    Talks & Performances

    In Conversation: Rodney McMillian + Anthony Elms

    October 4, 2025