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    Deana Lawson: Monsen Photography Lecture

    Deana Lawson (U.S., b. 1979). Latifah’s Wedding, 2020. Pigment print. © Deana Lawson, courtesy of David Kordansky Gallery.

    Mezzanine
    February 01, 2026 — May 03, 2026
    Deana Lawson’s photographs result from collaborations with strangers whom the artist encounters by chance or deliberately seeks out. The pictures often depict richly textured domestic scenes in which the details of decor, lighting, and pose are constructed. In this way, Lawson draws on the legacies of historical portraiture, documentary photography, and the family album, but transcends these traditions, constructing images that merge lived experience with imagined narratives. The aesthetics of intergenerational connectivity guide Lawson’s choice of subject matter, with each of her works taking its place in an overarching project that coheres into what she terms “an ever-expanding mythological extended family.” Lawson’s works also demonstrate a special attention to the element of light, as both part of the mechanical process by which photographs are realized, and as a manifestation of the divinity that suffuses her sitters. -Text written by Deana Lawson.
    This presentation is organized in conjunction with the 2026 Monsen Photography Lecture by Lawson on Thursday, April 23, 2026. This annual, endowed lecture brings key makers and thinkers in photographic practice to the Henry. Named after Drs. Elaine and Joseph Monsen, the series is designed to further knowledge about and appreciation for the art of photography.

    Artist Bio

    Deana Lawson (b. 1979, Rochester, NY, lives and works in Los Angeles, CA and Brooklyn, NY) makes photographs that explore the Black familiar and its relationship to lore, global histories, and mystery traditions. She transforms observational picture-making into a powerful mode of expression, critique, and celebration. Romance and intimacy between subjects, as well as ritual and spirituality appear throughout Lawson’s work, often within the same image. Her photographs emphasize formal approaches to film commonly associated with both Western and African twentieth-century portraiture practices, in addition to appropriation and uses of vernacular imagery. Lawson engages her subjects with intention and intuition alike, in staged situations characterized by the piercing directness of the model’s gaze. With their meticulous mise-en-scènes filled with personal artifacts and decor, these portraits underscore the psychological connections between people and their domestic spaces, fusing biography, symbolism, and cultural observation, and creating expansive images of contemporary personhood.
    Lawson was the subject of a survey exhibition co-organized by the Institute of Contemporary Art/Boston and MoMA PS1, Queens, New York, which also traveled to the High Museum of Art, Atlanta (2021–2023). Other solo exhibitions of her work have been presented at institutions including Bourse de Commerce – Pinault Collection, Paris, France (2025); Guggenheim Museum, New York, NY (2021); Kunsthalle Basel, Switzerland (2020); Huis Marseille, Amsterdam, Netherlands (2019); Underground Museum, Los Angeles, CA (2018); Carnegie Museum of Art, Pittsburgh, PA (2018); Contemporary Art Museum St. Louis, MO (2017); and Art Institute of Chicago, IL (2015). Her work is in the permanent collections of The Museum of Modern Art, New York, NY; Tate Modern, London, England; Whitney Museum of American Art, New York, NY; Bourse de Commerce – Pinault Collection, Paris, France; Museum of Contemporary Art Chicago, IL; SFMOMA, San Francisco, CA; Los Angeles County Museum of Art, CA; and Art Institute of Chicago, IL. Lawson lives and works in Los Angeles and Brooklyn.

    Related Programs

    <p>Deana Lawson. Photo: Deana Lawson.</p>
    Programs

    Monsen Photography Lecture: Deana Lawson

    April 23, 2026