Josh Faught (b. 1979, Missouri, based in San Francisco, CA) creates multi-media works that combine weaving, found objects, and ephemera to explore craft traditions, queer culture, and personal history. By incorporating materials from both institutional and personal archives, Faught reimagines systems of classification that assign social and cultural value, investigating how collective and individual identities are shaped and examining structures of social support and visibility.
This exhibition highlights Sanctuary (2017), a monumental tapestry commissioned by Western Bridge for Seattle’s Saint Mark’s Cathedral and now part of the Henry’s collection. Drawing from Faught’s personal collections and local Seattle archives, Sanctuary reflects on how queer communities have created spaces of safety and connection, and how these practices intersect with themes of faith, devotion, and desire. The tapestry features a rich array of found and archival materials, weaving together spirituality, history, and pop culture. These references evoke stories of connection and isolation in queer history as a means to address ongoing questions about safety, belonging, and well-being.
Accompanying Sanctuary is a selection of Faught’s recent basket and sweater works. These smaller scale pieces complement the sprawling height of Sanctuary, highlighting relationships between communal and individual experience and examining how similar themes of survival, loss, and joy play out across the intimate space of the body.