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Queer Visibility: Dean Sameshima & Anthony White

Left to right: Dean Sameshima, Torso (Black on Silver), 2006. Acrylic and screen print on canvas. Henry Art Gallery, Gift of David Hoberman, Los Angeles, 2014.287. Photo: Jonathan Vanderweit. Anthony White, BOYZ OF THE WILD, 2020. PLA on panel. On loan from Seth Grizzle. Photo: Jonathan Vanderweit.

Upper Level Galleries
October 08, 2021 — January 16, 2022
Viewpoints is an ongoing exhibition series that highlights works from the Henry collection, paired with University of Washington community contributions. 
This iteration of Viewpoints brings together paintings by Berlin- and Los-Angeles-based Dean Sameshima (b. 1971, Torrance, CA) and Seattle-based Anthony White (b. 1994, Santa Maria, CA) that reflect on queer desire and visibility. Torso (Black on Silver), 2006, by Sameshima enlarges cartoonist ‘Sean’s’ creative transformation of a pornographic image into a connect-the-dots activity, originally featured in the gay leather magazine Drummer in the 1970s. The image is only complete with participation, and draws on secret codes and hidden meanings, as well as the implied necessity of such measures. In complement to the paintings, two of Sameshima's zines are also on view, extending the artist's merging of queer history, found imagery, and gay and personal pleasure from the expansive surface of the canvas to the intimate space of the printed page. In White's BOYZ OF THE WILD, 2020, portraits of the artist's undressed male friends appear amid a landscape of sticker-like brand names, layered with a digital processing symbol at the center of the composition. White's work animated the way screen culture mediates public and private life, his figures both exalted and exposed, vulnerable while also curated amid the cultural artifacts.

Artist Bios

Dean Sameshima received his MFA from the Art Center College of Design. He has exhibited nationally and internationally at notable venues such as the Bronx Museum of the Arts and Museu de Art, São Paulo, Brazil. His work is held in the public collection of the Museum of Contemporary Art, Los Angeles.

Anthony White studied at the Cornish College of the Arts. White has been a Betty Bowen Award and Kayla Skinner Special Recognition recipient from the Seattle Art Museum; Neddy Painting Award recipient; and second place recipient of the AXA Art Prize. White has exhibited his work at numerous venues, such as the DUMBO, Brooklyn; Greg Kucera Gallery, Seattle; and PUBLIC Gallery, London, England. His work is held in the permanent collections of the Crocker Art Museum, Sacramento; Frye Art Museum, Seattle; and Seattle Art Museum. 

Community Contributions

Desire in Detail: Seeing Queer in Torso and BOYZ OF THE WILD
Lauren S. Berliner
Associate Professor, UW Bothell
Start Here Stacked & Shine for Dean Sameshima’s Torso (Black on Silver) & Anthony White’s BOYZ OF THE WILD
Ching-In Chen
Assistant Professor, UW Bothell
A Letter Written In Queer Longing
Jasmine Fetterman
MFA Alumni, 2021
CREDITS

This iteration of Viewpoints is organized by Nina Bozicnik, Curator, in collaboration with Kira Sue, graduate curatorial assistant. Anthony White’s BOYZ OF THE WILD is on loan from Seth Grizzle.

Related Programs

<p>Dean Sameshima, <em>Torso (Black on Silver) </em>[detail], 2006. Acrylic and screen print on canvas. Henry Art Gallery, Gift of David Hoberman, Los Angeles, 2014.287. Installation view of <em>Queer Visibility: Dean Sameshima and Anthony White</em>, 2021, Henry Art Gallery, University of Washington, Seattle. Photo: Jonathan Vanderweit.</p>
Talks & Performances

In Conversation: Dean Sameshima and Nina Bozicnik

December 2, 2021
Talks & Performances

In Conversation: Anthony White and Nina Bozicnik

November 10, 2021