In
Everlasting Stranger, New York-based choreographer and writer Will Rawls (b. 1978, Boston, MA) activates relationships between language, dance, and image through the fragmentary medium of stop-motion animation. In his installation, time and movement slow as a live, automated camera photographs the frame-by-frame actions of four dancers. While the performers occupy the labor of becoming images, visual capture is staged as an obsessive process that is constant yet compromised by the movement it aims to fix. Here, as in previous works, Rawls develops strategies of evasion and engagement within systems that mediate, distort, and abstract the body.
Rawls’s exhibition takes inspiration from the work of Guyanese writer Wilson Harris and his surrealist novel
The Infinite Rehearsal (1987). In the book, the constrictive projections of the colonial gaze manifest as a child’s fever dream where ghosts reinterpret time, genealogy, and identity as unstable matter. Harris’s novel serves as a conduit through which Rawls addresses the misrepresentation that haunts all forms of capture, including photography and choreography. Within the temporal delirium that marks existence in quarantine, Rawls animates the life that appears between frames.
DANCERS
Alyza DelPan-Monley
Akoiya Harris
Nia-Amina Minor
Fox Whitney
COSTUME DESIGN
womxn’s rites
Read the performers' bios
here.
ABOUT WILL RAWLS
Will Rawls earned a BA in Art History from Williams College.
He is a recipient of a United States Artists Award, Creative Capital Award, a Guggenheim Fellowship, Foundation for Contemporary Arts grant, MacDowell Fellowship, Robert Rauschenberg Residency, Hodder Fellowship at Princeton University, a “Bessie” (New York Dance and Performance Award), and Herb Alpert Award in the Arts.
Rawls’s choreographic work has appeared nationally and internationally at the Museum of Modern Art, New York; the Chocolate Factory Theater, Queens; High Line Art, New York; ICA Boston; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Portland Institute of Contemporary Art; and Tanzquartier Wien, Vienna, Austria, among others. His writing has been published by Artforum; Dancing While Black Journal; Hammer Museum, Los Angeles; and Museum of Modern Art, New York. Rawls has been a guest artist at Bard College, Barnard College, Harvard University/Carpenter Center, Wesleyan University, and Williams College, and a mentor for Colorado College's Department of Theatre and Dance. He served as the 2020-2021 UC Regents’ Professor at the University of California, Los Angeles, Department of World Arts and Cultures/Dance.
CREDITS
Will Rawls: Everlasting Stranger is a collaboration between Henry Art Gallery and Velocity Dance Center and is organized by Nina Bozicnik, Henry Curator, and Erin Johnson, Velocity Interim Artistic and Managing Director. It is presented in conjunction with the Seattle Festival of Dance + Improvisation, with project support from the National Endowment for the Arts. Additional support provided by UW Department of Dance, and by John Robinson and Maya Sonenberg. Costumes complements of womxn’s rights.
The exhibition is presented in conjunction with Murmurations, a Seattle-wide arts collaboration featuring a series of exhibitions, performances, screenings, community conversations, artist talks, and other programs co-developed between cultural organizations. Learn more at facebook.com/MurmurationsSeattle.
ADMISSION
Free and open to the public. Performances can be attended on a first-come-first-served basis, until gallery capacity is reached.
ACCESS
This event is public.
ACCESSIBILITY
The museum is fully accessible by wheelchair, and we strive to provide services and accommodations for anyone who needs assistance. Hearing protection will be available at the Henry front desk, upon request. Please email contact-programs@henryart.org with particular needs or concerns you may have.