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    Henry Art Gallery
    Friday, January 14, 2022, 12:00 AM — Friday, April 01, 2022, 12:00 AM

    Ritual: Form & Function in Scholarly and Artistic Practice

    This conversation and workshop series explored the relationship between artistic and scholarly work and the form and function of rituals in artistic and scholarly practices. Ritual brought together an interdisciplinary group of six graduate students, Henry exhibiting artists, and University of Washington (UW) faculty in dialogue around ways to engage traditions, confront violent legacies, build worlds, and rewrite narratives through art and scholarship.
    Each Ritual session paired UW faculty members with exhibiting artists, who exchanged ideas about and methods for incorporating rituals into their work. In their co-facilitated session with the graduate students, the faculty-artist pairs guided the group in conversations and activities that engaged their ideas of ritual and ritual practice. The overall goal of these sessions was to facilitate communal learning as participants talked with one another about their creative practices and the underlying themes and philosophies that inform them, as well as to collect tools, skills, and ways of thinking about ritual to direct toward scholarly and artistic practices.

    Workshop Themes, Exhibiting Artists, and UW Faculty Pairings


    Meditation Practices and Transcendence

    Sculptor ektor garcia with Naomi Bragin, Assistant Professor, School of Interdisciplinary Arts and Sciences, UW Bothell 

    Transcendence as a Process of Connecting to Ancestral Realms

    Dancer, choreographer, and educator Alicia Mullikin with Michelle Habell-Pallán, Professor,  Gender, Women, & Sexuality Studies Department, UW Seattle 


    Touch, Ritual, and the Care Work of Science

    Artist and educator Patty Chang and feminist cultural theorist Astrida Neimanis, with Cleo Wölfle Hazard, Assistant Professor, School of Marine & Environmental Affairs, UW Seattle

    Repertoire as Embodied Knowledge, Archiving and Research

    Black Collectivity out of Necessity (movement artists Akoiya Harris, David Rue, and marco farroni) with Jasmine Mahmoud, Assistant Professor of Theatre History and Performance Studies,  Drama Department, UW Seattle

    Learn more about the co-facilitators of each session here.
      

    Graduate Student Cohort

    Amy Hirayama, Creative Writing and Poetics at UW Bothell
    Chari Glogovac-Smith, DXArts at UW Seattle
    Jack Flesher, School of Music at UW Seattle
    Levin Kim, Information School at UW Seattle
    Bobbi Kindred, Gender, Women, & Sexuality Studies at UW Seattle
    Caitie Sheban, School of Marine and Environmental Affairs at UW Seattle

    Read a description of each Ritual session compiled by Brittney Frantece, Artist Fellowship Coordinator and PhD candidate in English at the University of Washington. 

    The Artist Fellowship Program

    Ritual: Form and Function in Scholarly and Artistic Practice was developed within The Artist Fellowship Program at the Henry Art Gallery. This program intends to advance artistic inquiry through the mutual exchange between Henry exhibiting artists and the larger University of Washington community. It is designed as a generative program that promotes dynamic collaboration and facilitates artistic development, aligning the Henry's commitment to innovation and inquiry with the University's standing as a leader in research. The 2022 pilot year of the Artist Fellowship Program was made possible by the Jones Endowed Fund for the Arts.


    ADMISSION
    ACCESS
    This event is public.
    ACCESSIBILITY
    Henry Art Gallery is accessible to all visitors. Please notify the staff of any special needs or concerns when planning to attend this event.

    Ritual Session 6: Repertoire as Embodied Knowledge, Archiving and Research. Seated, from left to right: Caitie Sheban, David Rue, Jasmine Mahmoud, Brittney Frantece, and Nina Bozicnik; Standing, from left to right: Amy Hirayama, Jack Flesher, marco farroni, Akoiya Harris, Bobbi Kindred, Levin Kim, Mita Mahato, and Chari Glogovac-Smith. Photo: David Rue