Featuring a selection of work from the Henry’s extensive photography collection, the photographs in this exhibition represent spaces emptied of the people they were created for, leaving behind scenes that evoke a palpable absence of what or who should be there. This absence renders familiar spaces strange, distancing them from their intended purposes. Sensations of suspension, interruption, and alienation surface in this gap between form and function in works by Lynne Cohen, David Hartt, Hiroshi Sugimoto, and Juan Uslé.