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    Packaged Black: Derrick Adams and Barbara Earl Thomas

     
    Upper Level Galleries
    October 02, 2021 — May 01, 2022
    Packaged Black brings together the work of artists Derrick Adams (b. 1970, Baltimore, MD) and Barbara Earl Thomas (b. 1948, Seattle, WA) in a collaborative, multi-media installation developed from their shared dialogue about representation, Black identity, and practices of cultural resistance. This exhibition is a synthesis of a multi-year, intergenerational, and cross-country exchange between New York-based Adams and Seattle-based Thomas that began after the two artists exhibited work alongside each other in a group show at the Savannah College of Art and Design in 2017.
    Adams's work in Packaged Black engages the relationship between Black culture and commerce that is core to his practice, alongside the ways fashion and self-styling communicate identity. Among the works included are large, striking collages and sculptures inspired by his ongoing research into the life and legacy of influential African-American designer Patrick Kelly (1954–1990). Other works take inspiration from the way hair salons and wig designs shape self-image in the Black community. In complement, Thomas, who often works in printmaking, glass, drawing, and monumental sculptures made from intricately cut Tyvek and paper, translates contemporary realities and lived experience through the visual language of myth and archetypal stories. For her project at the Henry, Thomas draws upon the role of media and fairytales in shaping social expectations and her own conception of self. She is presenting all new work, including an immersive installation conceived as a ‘transformation room’ and a series of new cut-paper portraits of friends and colleagues that riff on the concept of the royal court. Adams and Thomas’s work intermingles across multiple galleries, creating an exhibition that forms an interconnected constellation of relationships that span time and place, and celebrates the creative imagination, adaptation, and resilience of Black communities.
    An exhibition publication with an introduction by the curators, a conversation between the artists, and installation images accompanies the exhibition.

    Artist Bios

    Derrick Adams earned his BFA from Pratt Institute and MFA from Columbia University. He has completed residencies at the Skowhegan School of Painting and Sculpture, Madison and Sharpe-Walentas Studio Program, New York. He is a recipient of a Gordon Parks Foundation Fellowship, Joyce Alexander Wein Artist Prize, and Louis Comfort Tiffany Foundation Award. Adams has held solo exhibitions at the Museum of Contemporary Art, Denver; Museum of Fine Arts, St. Petersburg; and Museum of Arts and Design, New York, among other institutions. He has participated in numerous group exhibitions, including at the Peabody Essex Museum, Salem; National Underground Railroad Freedom Center, Cincinnati; and Studio Museum in Harlem, New York. His work is held in the notable collections of the Birmingham Museum of Art; Metropolitan Museum of Art, New York; and Whitney Museum of American Art, New York. He recently established The Last Resort, an artist program and residency in Baltimore.

    Barbara Earl Thomas earned her BA and MFA from the University of Washington. She has been the recipient of the Howard S. Wright Award, Stranger Genius Award, Mayor’s Arts Award, and Hauberg Fellowship. Thomas has completed residencies at the Pilchuck School of Glass, Stanwood; Museum of Glass, Tacoma; and Goathead Press, Tieton. She has held solo exhibitions at the Evansville Museum of Arts and Science; Seattle Art Museum; Bainbridge Island Art Museum; and Whatcom Museum of History and Art, Bellingham. Thomas has participated in numerous group exhibitions, including at the Bellevue Arts Museum; Northwest African American Museum, Seattle; and Savannah College of Art and Design Museum of Art. Her work is included in the public collections of the Portland Art Museum, Seattle Art Museum, and Tacoma Art Museum.

    Publication

    CREDITS

    Packaged Black: Derrick Adams and Barbara Earl Thomas is organized by Nina Bozicnik, Curator, and Shamim M. Momin, Director of Curatorial Affairs. Lead support is provided by The Andy Warhol Foundation for the Visual Arts. This exhibition is also made possible by the generous support of Virginia and Bagley Wright. Media sponsorship provided by The Seattle Times.


    Related Content

    • Packaged Black: Collaborative Community Responses

    • Packaged Black: Low Vision Guide

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    <p>Photo: Em Chan</p>
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    <p>Photo: Em Chan</p>
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    <p>Derrick Adams, &copy; 2020 Peabody Essex Museum, photo by Kathy Tarantola. Photo courtesy of Barbara Earl Thomas. Photo courtesy of Henry Art Gallery. Photo: Scott Areman.</p>
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    <p>Left to right:&nbsp;Diana Al-Hadid.&nbsp;Smoke and Mirrors.&nbsp;2015. Polymer gypsum, fiberglass, steel, wood, concrete, polystyrene, black mesh, pigment. Courtesy of the artist. Photo: Joshua White. Derrick Adams, Style Variation Grid 10, 2019. Acrylic paint on digital photograph inkjet on watercolor paper. Courtesy of Salon 94 LLC, New York. Barbara Earl Thomas, Divine, 2021. Paper cut with hand printed color. Courtesy of the artist and Claire Oliver Gallery, New York. Photo:&nbsp;Zocolo Studios ~ Spike Mafford.</p>
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