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    Michelle Handelman: Irma Vep, The Last Breath

     
    Upper Level Galleries
    July 11, 2015 — October 11, 2015
    The Henry presents the West Coast premiere of Michelle Handelman's multichannel video installation Irma Vep, The Last Breath. Irma Vep—an anagram for vampire—is the lead female character of Les vampires (dir. Louis Feuillade, 1915-16), a French serial film about a gang of thieves that terrorizes the upper class of Parisian society. Masked in a black bodysuit that both obscures and fetishizes her body, Irma Vep slipped in and out of the shadows as an indeterminate and haunting presence corrupting order.
    In Handelman's contemporary reconsideration of Feuillade's classic, the legacy of screen criminal Irma Vep comes alive in the body of transgender artist and performer Zackary Drucker. A non-linear narrative and psychological portrait unfolds as Irma Vep encounters the real-life actress who played her, Musidora, in the form of drag icon Flawless Sabrina. Within a dislocating space of multiple, starkly illuminated projections and a dramatic music score, Handelman invites us into a world of criminal anxiety, queer identity and desire, and the complicated relationship between an artist and her creation.
    Michelle Handelman (U.S.) is a Brooklyn-based artist and Associate Professor in the Film and Media department at the Fashion Institute of Technology, New York who has exhibited and screened her work internationally. She has had solo shows at the Eli & Edythe Broad Art Museum, Michigan State University, East Lansing (2014); Arthouse at the Jones Center, Austin, Texas (2011); and Participant, Inc., New York (2009). She was awarded a John Simon Guggenheim Fellowship for research toward Irma Vep, The Last Breath and has received grants from the New York Foundation for the Arts and Art Matters.
    ARTISTS
    Michelle Handelman
    CREDITS

    Irma Vep, The Last Breath is organized by Nina Bozicnik, Assistant Curator. Support is generously provided by 4Culture/King County Lodging Tax, and season supporter ArtsFund. It is additionally supported through generous gifts made to the Henry Now Campaign by the Barton Family Foundation in memory of Irving Marcus; Cathy and Michael Casteel; the Jon and Mary Shirley Foundation; William and Ruth True; and the Bagley and Virginia Wright Fund.

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    Related Programs

    <p>Michelle Handelman. <i>Irma Vep, The Last Breath</i> [production still: Laure Leber]. 2013. 4-channel video installation (color, sound); 37:00 minutes. Image courtesy of the artist.</p>
    Talks & Performances

    Bubbly and Conversation with Artist Michelle Handelman

    July 9, 2015
    Screenings

    Interrupted Dialogues: To Catch a Thief with Michael McCann

    August 14, 2015
    Screenings

    Interrupted Dialogues: Irma Vep with Jessica Burstein

    October 8, 2015
    <p>Musidora self-portrait, Collection BiFi, D. R.
</p>
    Screenings

    Interrupted Dialogues: Les vampires (episodes 8 & 10) with Jennifer Bean

    July 31, 2015
    <p>Musidora self-portrait, Collection BiFi, D. R.
</p>
    Screenings

    Interrupted Dialogues: Les vampires (episodes 3 & 6) with Vicki Callahan

    July 24, 2015
    Talks & Performances

    Summer Party

    July 18, 2015

    Updates

    Posted June 30, 2015
    Workshop with Michelle Handelman

    While in Seattle for the installation of her exhibition, Michelle Handelman will conduct a workshop with a group of University of Washington graduate students and recent alumni. Working with found texts--including the words of Jean Genet and William Burroughs, and letters between Musidora and the French writer Colette--and Handelman's own writing, the group will develop a script for a performative reading which is scheduled to premiere at Participant, Inc. in New York City this fall. The script will weave together fragments of the source texts and explore queer subjectivity and the psychology of living within the shadows of society.

    Participants include:

    Annie Fee, PhD, Department of Comparative Literature, Cinema and Media Studies, University of Washington

    Tracy Gregory, MFA student, Creative Writing and Poetics, School of Interdisciplinary Arts and Sciences, University of Washington Bothell

    Coley Mixan, MFA, School of Art + Art History + Design, Division of Art, University of Washington

    John Boucher, MFA, Creative Writing and Poetics, School of Interdisciplinary Arts and Sciences, University of Washington Bothell

    Posted June 11, 2015
    An Interview with artist Michelle Handelman

    During the planning of Irma Vep, The Last Breath, exhibition curator Nina Bozicnik exchanged emails with artist Michelle Handelman about the exhibition's themes of queer subjectivity, criminal anxiety, and claiming space for difference. Read, enjoy, consider, and come see the multi-screen video installation when it opens on July 11th!

    Nina Bozicnik: You've mentioned elsewhere that you were drawn to the character of Irma Vep for her outlaw presence, slinking covertly through Paris in a black bodysuit. Why this interest in the clandestine figure?

    Michelle Handelman: I would say that the destabilizing of representation is imperative for gaining new knowledge. Irma Vep's outfit both reveals and conceals, giving her a fluidity that allows her to operate outside of the confines of acceptable female behavior. In my work, I use the non-predictive body in the way of the trickster questioning where the "I" is located. As my Irma says near the end of the piece, "We're all transcendental beings aren't we . . . I mean the body is just a shell, a layer, a carcass."

    NB: You play with shadows, masking, artifice, and the unreliability of appearances. Why make this space for uncertainty?

    MH: In Irma Vep, The Last Breath I'm specifically looking at my experiences of being part of a subculture and living life undercover and thinking about what we give up for "freedom." I cast Zackary Drucker as Irma Vep because as a trans woman she knows about living life undercover on a daily basis, about passing. I refer to passing as not just tied to gender or racial identity, but as a strategy we all use to try to "pass" as socialized human beings. Jack Doroshow a.k.a. Flawless Sabrina, who plays Musidora, grew up as a gay man during the 1950s and also knows a thing or two about living undercover, both as protection and as a way of life.

    NB: In Irma Vep, The Last Breath you delve deep into the fears and anxieties of your main character, the criminal Irma Vep. What motivated you to explore this dark psychology?

    MH: From the beginning I've made work that's highly personal, a pouring out of my own existential questioning. Losing people I loved at a young age, finding myself escaping through drugs, trying to climb out of a big black void, these are the experiences that inform my work. How do we go on when we're surrounded by so much pain and nothingness? And where do we find meaning? I cast Jack as Musidora because Jack stands as a testament to survival, and I think the most meaningful things we have are our stories of survival. Here is a man who against all odds was not killed by AIDS, was not killed by fagbashers, and has lived and continues to live a life that combines pleasure and political intent.

    NB: Knowing you have an interest in the spatial dimension of cinema, how are you working with the Henry's architecture to create an immersive experience?

    MH: At the Henry we'll be envisioning a new configuration that plays with scale and brings lighting elements from the film's production design into the space. We'll also be showing two galleries of photographs from the project that have never been seen before. These galleries are meant to be like the calm before the storm, a space of contemplation and transcendence before entering the dark psychology of the film installation. There's this relentless quality in my work that grabs hold and won't let go. You can't escape the shimmering vacuity of the human experience.

    POSTS
    June 30, 2015
    June 11, 2015