The announcement of photography, in 1839, made portraiture accessible to more people than ever before, and by the 1850s, it had become the focus of a new, flourishing industry. As everyday Americans clamored for professionally produced portrait photographs, a thriving and fiercely competitive marketplace evolved. Photographic portraits moved into the domestic sphere and became “household treasures” that families affectionately preserved in cases and albums — heirlooms that marked a new kind of family documentation.

This exhibition tells the story of two uniquely American aspects of early portrait photography: the emergence of the studio system and its unique marketing strategies; and the function of portraiture as precious keepsakes in everyday households. The exhibition draws works from the Henry’s Monsen photography collection and the University of Washington’s Special Collections.